1.0 Introduction William Golding’s Lord of the Flies is reminiscent of his predecessors, Defoe’s Robinson Crusoe and Ballantyne’s The Coral Island in his situating the action on an uninhabited tropical island. Unlike his predecessors, however, Golding does not explore… Read More ›
‘Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.’ In her novel Circe, nominated this year for the Women’s Prize for Fiction, Miller takes this premise and… Read More ›
As Elizabethan literary theorist Sir Philip Sidney claims in his 16th century work titled The Defence of Poesie, the purpose of poetry, later extended to encompass all literary genres, is to simultaneously teach and delight the reader. Gail Honeyman’s debut… Read More ›
The idea of a completely reliable narrator is quite a questionable subject, since we are all unreliable when it comes to telling our own stories, hence, as the term ‘omniscient’ suggests, the reliable narrator must be some kind of divine,… Read More ›
It is oft said that even the best of novelists hone their skills on short stories since they contain more or less the same elements as novels yet on a smaller scale. Kazuo Ishiguro’s charming collection titled Nocturnes: Five Stories… Read More ›
Ernest Cline’s highly popular novel, Ready Player One, has been widely acclaimed for its originality and deep immersion into the 1980s, the decade when the video-gaming as we know it today set root in the form of hugely popular video… Read More ›
Jessie Burton again turns to the past to harness inspiration for her second book, The Muse. This time the plot moves back and forth between the 1930s civil-war-ravaged Spain and the 1960s London, yet the issue at hand is not… Read More ›
Jessie Burton’s debut, The Miniaturist, derives inspiration from a 17th-century hobby for young wives, an ostentatious curiosity cabinet on display at the Rijksmuseum in Amsterdam, that was built in the late 17th century, commissioned by Petronella Oortman, who wanted a… Read More ›
Most people swoon at the very mention of Paulo Coelho, a Brazilian novelist who rose to prominence in the late 1980s with The Alchemist, regarding his every word as a droplet from some source of pristine knowledge and positive energy,… Read More ›
Each novel by Zadie Smith seems to be an independent stylistic experiment, from her initial omniscient narrators in the White Teeth (2000) and On Beauty (2005), to her polyphonic experiment in NW (2012), to her latest work Swing Time (2016),… Read More ›
